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Archive for February 23rd, 2009

Jai Ho Jai Ho Jai Ho Jai Ho
Aaja Aaja Jind Shamiyane Ke Tale
Aaja Jariwale Nile Aasman Ke Tale
Jai Ho Jai Ho

Aaja Aaja Jind Shamiyane Ke Tale
Aaja Jariwale Nile Aasman Ke Tale
Jai Ho Jai Ho
Jai Ho Jai Ho

Ratti Ratti Sachi Maine Jaan Gavayi Hai
Nach Nach Koylo Pe Raat Bitayi Hai
Akhiyon Ki Neend Maine Phoonko Se Uda Di
Neele Tare Se Maine Ungli Jalayi Hai
Aaja Aaja Jind Shamiyane Ke Tale
Aaja Jariwale Nile Aasman Ke Tale
Jai Ho Jai Ho
Jai Ho Jai Ho

Jai Ho Jai Ho
Jai Ho Jai Ho
Chakh Le Ho Chakh Le Ye Raat Shahad Hai Chakh Le
Rakh Le Haan Dil Hai Dil Aakhri Had Hai Rakh Le
Kala Kala Kajal Tera Koi Kala Jadoo Hai Na

Kala Kala Kajal Tera Koi Kala Jadoo Hai Na
Aaja Aaja Jind Shamiyane Ke Tale
Aaja Jariwale Nile Aasman Ke Tale, Jai Ho, Jai Ho
Jai Ho Jai Ho
Jai Ho Jai Ho

Kab Se Ha Kab Se Tu Lab Pe Ruki Hai Keh De
Keh De Ha Keh De Ab Aankh Jhuki Hai.. Keh De

Aisi Aisi Roshan Aankhe Roshan Dono Bhi Hai Hai Kya
Aaja Aaja Jind Shamiyane Ke Tale
Aaja Jariwale Nile Aasman Ke Tale
Jai Ho Jai Ho
Jai Ho Jai Ho

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AR Rahman

Rahman is a composer with a staggering range

Indian music director AR Rahman’s score for Slumdog Millionaire has won an Oscar for best music, and a second for best song. The BBC’s Soutik Biswas discusses what makes Rahman tick.

The curiously named Panchathan Record Inn is a nondescript building tucked away in the thriving film district of the southern Indian city of Madras (Chennai). The backyard music studio is also AR Rahman’s atelier.

“We make a lot of noise here,” one of Rahman’s assistants told me wryly when I paid a visit a few years ago. It was late in the evening, and trombone loops floated down the stairs from the state-of-the art studio above.

The “noise” has now conquered the world.

Seventeen years after he began writing music and songs for films, the jingle maker-turned-musician has finally got recognition as India’s first truly global film music composer with his score for Danny Boyle’s sleeper hit Slumdog Millionaire.

The score is an untidy smorgasbord of hip hop, Bollywood remix and signature pop anthem. But it works because it follows the film’s giddy pace, the darkness of its characters, its portrayal of lives on the edge.

Bollywood outsider

The golden statue is a global recognition of Rahman’s enormous talent.

Like many film composers, he is not a particularly gifted vocalist or a player. Rahman, instead, is an alchemist of sounds and voices, mixing and melting them in a potion that is usually a joy for the ear and soul.

It is not surprising then that he is a composer with a staggering range – from raga to reggae to hip hop to Indian rustbelt folk to jungle rhythms to faux baroque. All of it is brewed with an unerring feel for melody, swing and soul.

Rahman, who converted to Islam some 20 years ago, is also India’s – and Bollywood’s – first truly successful cross-over music director.

Bollywood has filched tunes from the West for as long as I can remember – check out rip-offs from Chuck Berry, The Beatles, swing jazz and vapid disco for many home-grown hit tunes since the 1950s. But Rahman is not your archetypal tune ripper; he is, instead, an intrepid fusion tunesmith.

MIA

Rahman says he is impressed with MIA’s music

It helps that he remains the outsider in Bollywood – the world’s most incestuous film industry.

Rahman cut his teeth scoring music for southern Indian films in the Telugu and Tamil languages, before scoring for Bollywood. Even this year, he is working on several Tamil and Telugu films, and only two Hindi films.

And that is one of the reasons why the 43-year-old composer has often reached out to little-known new singers and musicians from all over the country to lend their voices and instruments to his songs and score.

Rahman is also globalisation’s favourite child, always abreast of the world music that is making waves. No wonder he discovered the music of MIA, aka Maya Arulpragasam, the war child turned feisty alternative rapper, who very few people in India had heard before Slumdog.

Rahman uses MIA’s Paper Planes – the singer rapping over a compelling sample riff and a rousing chorus line with gunshots and cash registers jingling in the background – in Slumdog.

“We met before but we never worked before,” he told one interviewer. “MIA, she’s a real powerhouse. Somebody played me her CD and I thought, who is this girl? She came here and knew all my work, had followed my work for ages. I said cut the crap, this ‘idol’ crap. You have to teach me. We started working in India, then we e-mailed the track back and forth. She did the vocals in England, I did the rest in India.”

Mixing old and new

I am now not surprised that the gritty girl rapper and the reclusive composer bonded so well. I met MIA a couple of years ago on the Jamaica seafront where she was shooting a music video for a new album. The boom box was playing her new song, a noisy mish-mash of what sounded like raucous Tamil gaana – a form of Tamil fast beat slum rap – over hip hop grooves. The Sri Lanka-born Tamil MIA and Rahman share some of the same culture.

Roja poster

The score for Roja was a limpid fusion of raga and reggae

For the Slumdog score, Rahman says he was mixing the sounds of new and old India. But Slumdog is not even among his top five scores.

The songs and score for Roja (The Rose), a 1992 film directed by Mani Ratnam, is possibly his best and most consistent work to date.

A limpid fusion of raga and reggae, Roja was a breathtaking achievement for a composer taking his first steps in the intensely competitive world of Indian film music.

Working with a number of vocalists, the film’s music showcases his talents – fusing flutes, synthesisers and traditional melody to a reggae backbeat and a rolling bass line. Sometimes it felt like listening to The Wailers – Bob Marley’s iconic reggae band – playing to Indian vocals. Time magazine called it one of the top 10 movie soundtracks of all time.

From then on, there has been no stopping the Rahman revolution in Indian film music, his best work usually coming with Mani Ratnam, an MBA-turned-filmmaker.

On the Ratnam movie, Bombay, on love and longing in a city torn apart by religious rioting, Rahman’s offerings are again rich and varied – from a sweaty, breathless love song by Remo Fernandes to a child chorus ditty to a background score that highlights the bleakness of a city and its people broken by hatred and fighting.

And then, just to pick two films, come the pulsating baroque tunes and sounds in Ratnam’s Thiruda (Thief, thief) – my favourite Rahman soundtrack.

From there, Rahman travels to fusing swing jazz and smoky blues with pristine Carnatic classical in the political hero biopic, Iruvar, another Ratnam film.

There have been many good soundtracks and songs before and after these two films.

In the end, Rahman, like the best of Indian film music composers, is melody’s slave. At his place we had discussed the possibility of a rap musical some day. “I don’t think,” the alchemist frowned, “rap could sustain a two-hour musical!”

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Here is the full list of winners at the 81st Academy Awards, which have been held in Los Angeles.

Best picture: Slumdog Millionaire
Also nominated: The Curious Case of Benjamin Button; Frost/Nixon; Milk; The Reader

Sean Penn

Sean Penn shook as he used a scrap of paper to thank people for his award

Best director: Danny Boyle – Slumdog Millionaire
Also nominated: Stephen Daldry – The Reader; David Fincher – The Curious Case of Benjamin Button; Ron Howard – Frost/Nixon; Gus Van Sant – Milk

Best actor: Sean Penn – Milk
Also nominated: Richard Jenkins – The Visitor; Frank Langella – Frost/Nixon; Brad Pitt – The Curious Case of Benjamin Button; Mickey Rourke – The Wrestler

Best actress: Kate Winslet – The Reader
Also nominated: Anne Hathaway – Rachel Getting Married; Angelina Jolie – Changeling; Melissa Leo – Frozen River; Meryl Streep – Doubt

Best supporting actor: Heath Ledger – The Dark Knight
Also nominated: Josh Brolin – Milk; Robert Downey Jr – Tropic Thunder; Philip Seymour Hoffman – Doubt; Michael Shannon – Revolutionary Road

Best supporting actress: Penelope Cruz – Vicky Cristina Barcelona
Also nominated: Amy Adams – Doubt; Viola Davis – Doubt; Taraji P Henson – The Curious Case of Benjamin Button; Marisa Tomei – The Wrestler

Best original screenplay: Milk
Also nominated: Happy-Go-Lucky; Wall-E; In Bruges; Frozen River

Best adapted screenplay: Slumdog Millionaire
Also nominated: The Curious Case of Benjamin Button; Doubt; Frost/Nixon; The Reader

Best animated feature film: Wall-E
Also nominated: Bolt; Kung Fu Panda

Best animated short film: La Maison en Petits Cubes
Also nominated: Lavatory – Lovestory; Oktapodi; Presto; This Way Up

Best foreign language film: Departures – Japan
Also nominated: Revanche – Austria; The Class – France; The Baader Meinhof Complex – Germany; Waltz With Bashir – Israel

Best documentary feature: Man on Wire
Also nominated: The Betrayal; Encounters at the End of the World; The Garden; Trouble The Water

Best documentary short subject: Smile Pinki
Also nominated: The Conscience of Nhem En; The Final Inch; The Witness – From the Balcony of Room 306

Art direction: The Curious Case of Benjamin Button
Also nominated: Changeling; The Dark Knight; The Duchess; Revolutionary Road

Costume design: The Duchess
Also nominated: The Curious Case of Benjamin Button; Australia; Milk; Revolutionary Road

Make-up: The Curious Case of Benjamin Button
Also nominated: The Dark Knight; Hellboy II: The Golden Army

Cinematography: Slumdog Millionaire
Also nominated: The Curious Case of Benjamin Button; Changeling; The Dark Knight; The Reader

Best live action short film: Spielzeugland (Toyland)
Also nominated: Auf der Strecke (On The Line); Manon on the Asphalt; New Boy; The Pig

Visual effects: The Curious Case of Benjamin Button
Also nominated: The Dark Knight; Iron Man

Sound editing: The Dark Knight
Also nominated: Iron Man; Wanted; Slumdog Millionaire; Wall-E

Sound mixing: Slumdog Millionaire
Also nominated: The Curious Case of Benjamin Button; The Dark Knight; Wanted; Wall-E

Film editing:Slumdog Millionaire
Also nominated: The Curious Case of Benjamin Button; The Dark Knight; Frost/Nixon; Milk

Best original score: Slumdog Millionaire
Also nominated: The Curious Case of Benjamin Button; Defiance; Milk; Slumdog Millionaire; Wall-E

Best original song: Jai Ho – Slumdog Millionaire
Also nominated: Down To Earth – Wall-E; O Saya – Slumdog Millionaire

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Cast and crew of Slumdog Millionaire

Hit British film Slumdog Millionaire has won the top prize at the Academy Awards, winning eight Oscars including best director and best picture.

In a great night for Britain, Kate Winslet won the best actress Oscar for The Reader, finally clinching the award on her sixth nomination.

The big surprise of the night was Sean Penn, winning best actor for his role as gay rights activist Harvey Milk.

Heath Ledger won a posthumous Oscar for supporting actor for The Dark Knight.

The actor’s family received the award on behalf of Ledger, who died in January 2008.

“We have been truly overwhelmed by the honour and respect being bestowed upon him with this award,” his mother said.

Heath Ledger as The Joker

Heath Ledger won acclaim for scene-stealing performance as The Joker

Ledger becomes only the second performer to win a posthumous Oscar, following Peter Finch’s win for Network in 1977.

But the night belonged to Slumdog Millionaire, the rags-to-riches tale that has enchanted audiences around the world.

Director Danny Boyle, 52, bounced up and down in delight as he received his award, telling the audience: “I swore [to my children] if this miracle ever happened I would receive it in the spirit of Tigger.”

Optimism

The film, set in the slums of Mumbai (Bombay), won eight awards in total, including gongs for best adapted screenplay, cinematography, sound mixing, film editing, best original score and best song.

“There are certain places in the universe you never imagine standing. For me, it’s the moon, the South Pole, the Miss World podium and here,” joked British screenwriter Simon Beaufoy, previously best known for writing The Full Monty.

Indian composer AR Rahman, who received two Oscars – for best song and best score – praised the city which inspired the book, and subsequently the film.


He hailed “all the people from Mumbai and the essence of the film, which is about optimism and the power of hope and our lives”.

“We had passion and we had belief and if you have those two things, truly, anything is possible,” said Christian Colson.

As anticipated – after years of waiting in the wings – Winslet, 33, won her Academy Award for playing a Nazi prison officer in The Reader.

“I’d be lying if I hadn’t made a version of this speech. I think I was probably eight years old and staring into the bathroom mirror,” she said.

“I feel very fortunate to have made it all the way from there to here.”

In a night of predictable outcomes, Sean Penn’s best actor triumph for his portrayal of gay rights activist Harvey Milk seemed to win the A-list audience’s approval.

AWARDS TALLY
Slumdog Millionaire
Slumdog Millionaire – 8
The Curious Case of Benjamin Button – 3
Milk – 2
The Dark Knight – 2

“You Commie, homo-loving, sons of a gun,” said Penn, addressing his fellow performers.

“I did not expect this, and I want to be very clear that I know how hard I make it to appreciate me,” said the 48-year-old, who often attracts criticism for his outspoken views.

In an impassioned plea – and to rapturous applause – Penn called on “equal rights for everyone”.

“I think it is a good time for those who voted for the ban against gay marriage to sit and reflect and anticipate their great shame,” he said.

His thoughts were echoed by Milk screenwriter Dustin Lance Black, who won best original screenplay for Milk.

“I heard the story of Harvey Milk and it gave me hope … that one day I could live my life openly as who I am. And that maybe I could even fall in love and one day get married,” he said.

Musical medley

Brad Pitt and Angelina Jolie both went home empty-handed, while The Curious Case of Benjamin Button converted just three of its 13 nominations – all in the technical fields.

Sean Penn

Sean Penn was named best actor for his role in Mystic River in 2004

The Academy of Motion Picture Arts and Sciences were eager to breathe new life into this year’s ceremony, after a continued decline in TV viewing figures.

Australian actor Hugh Jackman hosted the show, and showed off his musical talents – opening with a medley of songs paying tribute to the best picture nominees.

He went on to join singer Beyonce in a tribute to Hollywood’s best-loved musicals.

Spanish actress Penelope Cruz became the first winner of the night, picking up the best supporting actress award.

The 34-year-old star won her first Oscar for her performance as a passionate artist in Woody Allen’s Vicky Cristina Barcelona.

“Has anybody ever fainted here. I might be the first one,” said Cruz, who was previously nominated in 2007.

Cruz, who becomes the first Spanish actress to win an acting Oscar, dedicated her award “to all the actors from my country”.

Penelope Cruz

Cruz faced some stiff competition from Marisa Tomei in The Wrestler

“Thank you Woody for trusting me with this beautiful character,” she said.

Comedian Jerry Lewis received the Jean Hersholt Humanitarian Award, which recognises humanitarian efforts.

“This award touches my heart and the very depth of my soul because of who the award is from, and those it will benefit,” said 82-year-old star.

The Nutty Professor star has raised over $2 billion (£1.3bn) for the Muscular Dystrophy Association through his annual Labor Day telethon.

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